Aunt Lydia is a notorious villain in Margaret Atwood‘s The Handmaid’s Tale and in Hulu’s TV series of the same title. In the sequel novel, The Testaments, we readers hear from her directly as she, from the pinnacle of power in a decaying Gilead, pens a memoir which tells us her backstory and how she rose through the ranks to near sainthood. On page 215, she writes, pondering her methodology in managing the Aunts:
I’m a great proponent of better. In the absence of best. Which is how we live now.
This should be the motto of Centrist Democrats, since the only claim they ever make is that they are better than the grifters of the Republican Party.
Cormac McCarthy‘s No Country for Old Men is essentially two novels which briefly intersect towards the end in a motel parking lot. One novel is the story of how a combination of greed and an urge for self-destruction prompts Llewellyn Moss, a retired Vietnam War veteran working as a welder, to steal a satchel with more than two million dollars from the site of a heroin exchange where the two parties ended up killing each other in the desert. Of course, representatives of the two corporate entities in the failed exchange make attempts to recover this money, which include sending Anton Chigurh and Carson Wells, two hit men with contrasting styles and philosophies. The body count rises as employees of the “rival parties” kill each other and innocent bystanders. Eventually, Mexican employees of one of the parties kill Llewellyn but are forced to flee before a thorough search can reveal the location of the money. Later Chigurh recovers the money from Llewellyn’s hotel room. Before he can leave the parking lot, Sheriff Ed Tom Bell arrives to the room and realizes Chigurh has just left, but prudence and cowardice persuade him not to attempt to arrest or confront Chigurh, and Chigurh escapes. Months later, Chigurh kills Llewellyn’s wife to make good on a threat he had conveyed to the by now long-dead Llewellyn.
The other novel is the inner life of Sheriff Bell. Bell is decent enough, but he demonstrate how people of a similar mindset, who wouldn’t identify themselves as fascists and may, like Bell, have even fought in World War II against German fascists, could end up many years later supporting fascism.
Harry Ambrose murdered Jaime Burns in the Season 3 finale of USA Network’s The Sinner. Ambrose wanted to see if killing, which I don’t remember him doing before, would free him. And Ambrose wanted to see if Burns had made the breakthrough he had claimed Nick promised him through killing. The final scene shows that (1) Ambrose sees that Burns died “scared & alone,” in other words, he didn’t make any kind of breakthrough to Ubermensch-ness & (2) Ambrose realized that his murder of Burns won’t do anything to solve his own psychological problems.
Immediately after watching the episode, I felt disappointed that Jaime Burns, the criminal, never reached a state of understanding to mitigate his/her crimes, as Cora (Season 1) & Julian (Season 2) did. There was no big reveal which explained Burns’s crimes. It turned out he was just an asshole.
The Sinner in The Sinner is Harry Ambrose. The show is about him. If & when there is a final season, it needs to be about uncovering & healing his sins.
I am as far removed from agricultural production as one can be. Due to my recent appreciation of the centrality of agriculture to our life, I began watching Georgia Public Broadcasting’sFarm Monitor (Twitter & Facebook & YouTube) to learn more. I’ve really enjoyed the show, and I’ve been telling people about it & sharing clips on social media. Nevertheless, recent episodes have promoted industrial/pharmacological agriculture, and I’ve begun to think about the show more critically.
Ethan Rayne, played by Robin Sachs (d. 2013), was a recurring human villain in Buffy the Vampire Slayer in Seasons 2-4. In his final appearance in A New Man (S4E12, January 2000), when Buffy captures him after his latest round of malevolence, he taunts her by reminding her that the Slayer is not allowed to kill humans. He doesn’t realize that the Slayer has become ensnared in the national security state, personified by Riley (played by Marc Blucas), her new significant other and a high ranking officer in the Initiative, a secret project which, we learn later in the season, is developing a part-demon parts, part-machine, part-human super soldier. Continue reading →
I created a Twitter Moment from some of the United Farm Workers‘s status updates with the hashtag #WeFeedYou. As I went through these tweets, I thought about all the products that end up on my table which are mentioned: cilantro, sugar cane, apples, mushrooms, celery, lettuce, chicken, grapes, pomegranates, artichokes and bell peppers. Of course, since I don’t grow any food, everything I eat has been harvested, processed, transported and sold to me by workers. These workers, just like I do, have families. They have health issues. They have hopes for themselves and their children. They smile. And, whatever some know-nothing politicians says, they have skills! Don’t let bosses make all the money off of these workers. Support agricultural labor.